Maya sat in the passenger seat, letting the rain patter against the windows, the world outside blurring softly. Lyla drove quietly, her focus steady, though she’d cast Maya sidelong glances, and Maya had seen the smallest, familiar smile at the corner of her mouth. The city lights spilled over them, adding a golden, nostalgic warmth to the air, and she let herself soak it all in, trying to ignore the ache that curled up in her chest. The rain had soaked Maya's shoes from their earlier walk, but she didn’t care. She loved these quiet moments with Lyla, even in the chill that had settled over them. The silence felt fragile but sweet, a perfect balance of comfort and the tension of things unsaid. She looked over at her, watching her profile, tracing the contours she knew so well. It felt like the start of something timeless, a memory alive and real, somehow vivid in a way she hadn’t expected. When they arrived at her house, she hesitated, her fingers tracing the strap of her bag, reluctant to leave. It was a feeling she couldn’t quite name—both familiar and disquieting, a strange déjà vu that pressed into her mind. Lyla turned to her with that gentle look that always melted her, and she found herself half-laughing, half-sighing, caught between the want to stay and the knowledge she had to leave. “Guess this is it,” she whispered, her voice catching. She didn’t answer right away, just reached over, brushing a strand of wet hair from Maya's face, her hand lingering there a little too long. She leaned into Lyla's touch, and she kissed her, a soft, ghostly press of lips that felt almost like goodbye. It felt like the start of a movie she had seen before—the kind with an ending that made your heart ache. As she stepped out of the car, a sudden stillness settled around her, and the moment seemed to fracture, delicate as glass. She glanced back, but the passenger seat was empty. The echoes of Lyla's voice faded like a distant hum in her ears, and she felt the creeping realization settle in—the way it sometimes did when a dream starts to fall apart in the early morning light. And as she looked at the empty car, she let out a breath, one part goodbye, one part love, letting the memory settle back where it belonged. She turned toward her house, with the quiet certainty that she’d carry this moment with her, even if it was just a shadow of something lost.
based on "ceilings" by Lizzy McAlpine Ceilings, plaster Can't you just make it move faster? Lovely to be sitting here with you You're kinda cute but it's raining harder My shoes are now full of water Lovely to be rained on with you It's kinda cute but it's so short Then you're drivin' me home And I don't wanna leave But I have to go You kiss me in your car And it feels like the start of a movie I've seen before Before Bedsheets, no clothes Touch me like nobody else does Lovely to just lay here with you You're kinda cute and I would say all of this But I don't wanna ruin the moment Lovely to sit between comfort and chaos But it's over Then you're drivin' me home And it kinda comes out as I get up to go You kiss me in your car And it feels like the start of a movie I've seen before But it's not real And you don't exist And I can't recall the last time I was kissed It hits me in the car And it feels like the end of a movie I've seen before Before