I DIDNT TYPE THE STUFF IN THE NOTES AND CREDITS WTH space.
A scene from Gus Van Sant’s film Gerry is a three and a half minute tracking shot of the profiles of the two main characters, both named Gerry, in tight focus as they trudge across a vast and empty desert. While the audience might marvel at the technical virtuosity, they also feel and partially experience the utter boredom of the walk. In filming the tale of two young men lost in the desert for several days, Van Sant stages the pure boredom of wandering in large, seemingly empty landscapes. Similar to Sergio Leone, that other desert auteur, he serves up huge, painterly spaces, and, at the same time, stretches time to a point where it feels as if it must break. The experience of the characters (and the audience) is both intense and empty, concentrated and vast. In a word, boring. Long-distance trekking is both physically and mentally challenging, and one of those challenges is boredom. Hikers face day after day, week after week, waking, packing up, and walking nine, ten or more hours sometimes in spectacular environments but more often in tedious sameness. Appalachian Trail hikers often disparagingly call the path “the green tunnel.” In a sense, boredom is the mental ground of walking.
