Press 1 to change the direction of Advanced plaque camaraderie. Press 2 to change the direction of Plaque advanced despair. Press 3 to change the direction of Internal unravel. Press 4 to change the direction of Entanglement synapse ache. Work on 'Everywhere, at the end of time' was all consuming as you can imagine. All work and no play, all work and no play. In celebration of its completion and only for a limited time here is a surprise golden farewell. Compliments of the house. Offering you one last chance to raise a charged glass for those we lost along the way, for all the works, for those ghosts from our past, for our uncertain future and for The Caretaker. You are of course welcome to purchase me a drink if you find this work to be of personal value. As the old saying goes "I'm the type of guy who likes to know who's buying their drinks, Lloyd." Thanks eternally for your support. C'est fini. 1 - Loss of want back there (80 pitch) 2 - I might be vanishing (-20 pitch) 3 - Empty beyond beyond beyond (60 pitch) 4 - Losing battle of loss (80 pitch) 5 - Advanced plaque camaraderie (Left - 140 pitch) (Center-Right - 150 pitch) (Right - 100 pitch + reversed) 6 - All eyes bewildered (110 pitch) 7 - Glimpses of life denial (20 pitch) 8 - Equinox eyes will stop (100 pitch) 9 - Losing loss of battle (80 pitch) 10 - Plaque advanced despair (Center - 60 pitch) (Center-Right - 238.4 pitch) 11 - Benjamin beyond bliss (45 pitch) 12 - Drifting sublime hope (20 pitch + reversed) 13 - Minimal all you are (100 pitch) 14 - Internal unravel (Center A - 180 pitch) (Center B - 185 pitch) (Center-Right - 50 pitch) 15 - Dusk memory fraction (40 pitch) 16 - Entanglement synapse ache (Center-Left - 65 pitch) (Center-Right A - 130 pitch) (Center-Right B - 70 pitch + reversed) (Right - 120 pitch) 17 - And bliss everywhere bliss (100 pitch) Yes, Glimpses of life denial, Plaque advanced despair (Center-Right) and Internal unravel (Center B) are too fast-paced, and Entanglement synapse ache (Center-Left) is too slow-paced. I couldn't do anything about that, so I just sped them up to match the pitch of the original samples.
